Woven in Govan at the Kinning Park Complex

Fablevision and the Kinning Park Complex are delighted to invite you to Woven in Govan: an exhibition launch event featuring the work of t s Beall, Ursula Kam-Ling Cheng, Deirdre Nelson, Audrey O’Brien, Alex Wilde & Ailie Rutherford, and Donna Rutherford, that has been produced as a part of the Woven in Govan project – part of a larger international online exhibition platform, Woven Network.

The event will take place on Thursday, 23rd of June at the Kinning Park Complex, 43 Cornwall Street, G41 1BA at 5:00pm to 8:00pm and will include the opportunity to interact with the works, view StudioFV‘s Woven in Govan film, enjoy some food from 6pm (pay what you can towards costs) and to meet and chat with some of the artists themselves.

We hope to see you there!

 

Woven in Govan Exhibition at the Kinning Park Complex

Going Digital in Dunure

Back in November 2021, Fablevision commissioned StudioFV to make a video case study of the University of the West of Scotland’s (UWS) New Media Art course as part of its ErasmusPlus-funded research project, Bridging Digital, which explores how artists and communities can use digital technology.

A team of UWS students led by lecturer, Trent Kim, travelled to Dunure, South Ayrshire to work with Dunure Community Council to work on a project which uses video projection – onto the ruins of the former Kennedy clan stronghold – to tell the illustrious story of this former fishing community.  The specific aim of the community is to find novel and interesting ways that they might bring this history to life for tourists and visitors to the village and neighbourhood. 

Care’s Collective Quality

 

In April 2021 artist Alex Wilde and Ailie Rutherford met with six inspirational
women working in care roles and for social change in Govan as part of the Fablevision project, Wovan in Govan, which in turns was part of a wider collaboration involving cultural organisations in Sweden (Intercult) and Ukraine (TU Mariupol).

We talked with women about formal and informal care, paid and unpaid labour and personal reflections on how we care for each other, our communities and our society.  These women are passionate about the communities of people they support and are involved with; in hospitals, community gardens, social justice projects and housing campaigns.

Reflecting after a year of Covid “lockdown” where our usual methods of
collective caring have been taken away,  we wanted to know how
these women; activists and carers had adapted in the face of deepening
inequalities, social separation and collective anxiety.  At a time when “care” has never been more widely discussed, what existing networks of community care have endured and what new models of care are emerging?

We were interested in exploring the intersection of care and activism and understand how women were working towards social change.  We talked about how would we would like care to be valued and organised
differently, and what new ways of organising we need now for a better reciprocal system of care.  How do we care better for each other, ourselves and beyond our familial or romantic bubbles?  And thought about the new systems, networks and ideologies we need now to do this work.

The conversations we had with the women and each other, made us feel like we need to explode the idea of the family unit and abandon the idea of monogamous care in order to implement care for our wider world and communities.  We felt a great sense of urgency to change an uncaring system, which continuously expects women to fill in the gaps.  Drawing on our own experiences and listening to the experiences of women who live and work in Govan involved in collective care, caring far beyond their immediate bubbles, a set of ideologies and demands evolved for centering a post pandemic recovery on care. The resulting diagram (a visual manifesto) pull together some of the key themes and ideas we discussed with the women we interviewed, turning them into demands for change.  Our simple diagram could never convey the depth and richness of each conversation but we hope it goes some way to highlighting the incredible work and vibrant intellect of the women who so generously gave their time to these conversations.

This manifesto has been created in a short space of time, with physical distancing challenging our usual methods of a socially engaged practice. It is raw and imperfect but reflects the urgency of the need for change.

Art for Health’s Sake

 

A recent article in Glasgow’s Evening Times featured the work of Jackie Sands, Health Improvement Senior: Arts and Health for NHS Greater Glasgow and Clyde.  

The rationale for the use of art in such a context, as the article points out, has quite a long history.  However, there is one thing paying lip service to such ideas, there is quite another bringing the means, the artists, the patients and the public together in order for it to happen.  Well, that’s exactly what Sands has done. 

Working at the Queen Elizabeth University Hospital [QEUH], Sands’ therapeutic and arts-based interface has seen the installation of a piano, thanks to Piano City,  sculpture placement which involved, the Sculpture Placement Group, performance from the Royal Conservatoire of Scotland, Govan Songsters and DJ George Bowie, and art installations, such as those in which Fablevision was/is directly involved, namely, the Memory of Water and Woven Network.

Govan-Gdansk Heritage Regeneration and Alternative Futures publication - Memory of Water EU image

Past Perfect to Future Indicative

ablevision’s sister organisation, StudioFV was at the University of the West of Scotland recently to film and interview, Trent Kim, the director and lecturer of the unversity’s New Media Arts department who set his students the task of using art projections as a creative stimulus, the findings of which will inform the Erasmus+-funded Bridging Digital project.

The interview was a follow up to the recent art installation at Dunure Castle in Ayrshire, where images of Dunure’s past were projected onto its walls.

The Bridging Digital project explores new ways in which art-centred activities and inputs can be used as a medium for change.  The role of art in this context is threefold: it is an instrument, metaphoric and a harbinger.  The past, the “known known”, comes together with the “known unknown” to create an as yet “unknown unknown” –  the future.

If this is far too Rumsfeldian for this early in 2022, just remember that the past is not only another country, it also the only reference point, predicate and tutor we have for imaging our future.  Unlike Marx’s apian architects, we must first build the future in our imagination. 

Trent Kim3
Govan-Gdansk Heritage Regeneration and Alternative Futures publication - Memory of Water EU image

Bridging Digital in Dunure

Fablevision, accompanied by StudioFV, was in Dunure, Ayrshire, to shoot film and interviews for Bridging Digital, an Erasmus+ funded project involving cultural/educational organisations from Scotland (Fablevision), Greece (Hellenic Education Association), Poland (Instytut Kultury Miejskiej) and Sweden (Intercult).

The project, headed in Scotland by Liz Gardiner, Fablevision, is collaborating with Trent Kim, director, New Media Arts, University of the West of Scotland, to explore how artist-led learning can use digital techniques as a catalyst for helping communities adapt to and author change.

In the Dunure example, StudioFV, filmed the work of UWS students in re-purposing the romantic and somewhat desolate coastal ruin of Dunure castle as a canvas on which to project the village’s long and varied history.

Home to Scotland’s oldest lighthouse, with a once thriving fishing industry; a place of sea-inspired folkloric tales; the blood feuds of the Kennedy clan; connections with Mary Queen of Scots and Charles Rennie Mackintosh and Margaret Macdonald; the village is now looking at ways in which it can incorporate all this into a new and sustainable future centred on the tourist potential of the area.

The nub of the matter is re-imaging: what do you do when you no longer do what you did?

 

Govan-Gdansk Heritage Regeneration and Alternative Futures publication - Memory of Water EU image

Memory of Water EU - Artist-Led Regeneration Projects with Community Engagement

Cultural charity Fablevision and its social enterprise trading arm – Fablevision Studios – have worked with artists in Glasgow for over 30 years, examining and transforming accepted narratives.  The organisation engages with people facing barriers to employment, and works with community charities concerned with waterfront development and heritage protection.  During Memory of Water, Fablevision is hosting two local labs, an international lab, and two artist residencies.  The organisation further promotes activities and ideas through its design and implementing of communication strategies across the project, disseminating and interpreting information for all partners.

During 2012-16, Fablevision conducted an artist exchange programme with Gdansk, Poland, and in 2017, an artist residency programme, Riverside Solidarity, in Govan.  Fablevision is excited to continue working with members of River//Cities network.

Govan - Memory of Water EU image

Going Digital in Dunure

Back in November 2021, Fablevision commissioned StudioFV to make a video case study of the University of the West of Scotland’s (UWS) New Media Art course as part of its ErasmusPlus-funded research project, Bridging Digital, which explores how artists and communities can use digital technology.

A team of UWS students led by lecturer, Trent Kim, travelled to Dunure, South Ayrshire to work with Dunure Community Council to work on a project which uses video projection – onto the ruins of the former Kennedy clan stronghold – to tell the illustrious story of this former fishing community.  The specific aim of the community is to find novel and interesting ways that they might bring this history to life for tourists and visitors to the village and neighbourhood. 

Care’s Collective Quality

 

In April 2021 artist Alex Wilde and Ailie Rutherford met with six inspirational
women working in care roles and for social change in Govan as part of the Fablevision project, Wovan in Govan, which in turns was part of a wider collaboration involving cultural organisations in Sweden (Intercult) and Ukraine (TU Mariupol).

We talked with women about formal and informal care, paid and unpaid labour and personal reflections on how we care for each other, our communities and our society.  These women are passionate about the communities of people they support and are involved with; in hospitals, community gardens, social justice projects and housing campaigns.

Reflecting after a year of Covid “lockdown” where our usual methods of
collective caring have been taken away,  we wanted to know how
these women; activists and carers had adapted in the face of deepening
inequalities, social separation and collective anxiety.  At a time when “care” has never been more widely discussed, what existing networks of community care have endured and what new models of care are emerging?

We were interested in exploring the intersection of care and activism and understand how women were working towards social change.  We talked about how would we would like care to be valued and organised
differently, and what new ways of organising we need now for a better reciprocal system of care.  How do we care better for each other, ourselves and beyond our familial or romantic bubbles?  And thought about the new systems, networks and ideologies we need now to do this work.

The conversations we had with the women and each other, made us feel like we need to explode the idea of the family unit and abandon the idea of monogamous care in order to implement care for our wider world and communities.  We felt a great sense of urgency to change an uncaring system, which continuously expects women to fill in the gaps.  Drawing on our own experiences and listening to the experiences of women who live and work in Govan involved in collective care, caring far beyond their immediate bubbles, a set of ideologies and demands evolved for centering a post pandemic recovery on care. The resulting diagram (a visual manifesto) pull together some of the key themes and ideas we discussed with the women we interviewed, turning them into demands for change.  Our simple diagram could never convey the depth and richness of each conversation but we hope it goes some way to highlighting the incredible work and vibrant intellect of the women who so generously gave their time to these conversations.

This manifesto has been created in a short space of time, with physical distancing challenging our usual methods of a socially engaged practice. It is raw and imperfect but reflects the urgency of the need for change.

Art for Health’s Sake

 

A recent article in Glasgow’s Evening Times featured the work of Jackie Sands, Health Improvement Senior: Arts and Health for NHS Greater Glasgow and Clyde.  

The rationale for the use of art in such a context, as the article points out, has quite a long history.  However, there is one thing paying lip service to such ideas, there is quite another bringing the means, the artists, the patients and the public together in order for it to happen.  Well, that’s exactly what Sands has done. 

Working at the Queen Elizabeth University Hospital [QEUH], Sands’ therapeutic and arts-based interface has seen the installation of a piano, thanks to Piano City,  sculpture placement which involved, the Sculpture Placement Group, performance from the Royal Conservatoire of Scotland, Govan Songsters and DJ George Bowie, and art installations, such as those in which Fablevision was/is directly involved, namely, the Memory of Water and Woven Network.

Govan-Gdansk Heritage Regeneration and Alternative Futures publication - Memory of Water EU image

Past Perfect to Future Indicative

ablevision’s sister organisation, StudioFV was at the University of the West of Scotland recently to film and interview, Trent Kim, the director and lecturer of the unversity’s New Media Arts department who set his students the task of using art projections as a creative stimulus, the findings of which will inform the Erasmus+-funded Bridging Digital project.

The interview was a follow up to the recent art installation at Dunure Castle in Ayrshire, where images of Dunure’s past were projected onto its walls.

The Bridging Digital project explores new ways in which art-centred activities and inputs can be used as a medium for change.  The role of art in this context is threefold: it is an instrument, metaphoric and a harbinger.  The past, the “known known”, comes together with the “known unknown” to create an as yet “unknown unknown” –  the future.

If this is far too Rumsfeldian for this early in 2022, just remember that the past is not only another country, it also the only reference point, predicate and tutor we have for imaging our future.  Unlike Marx’s apian architects, we must first build the future in our imagination. 

Trent Kim3
Govan-Gdansk Heritage Regeneration and Alternative Futures publication - Memory of Water EU image

Bridging Digital in Dunure

Fablevision, accompanied by StudioFV, was in Dunure, Ayrshire, to shoot film and interviews for Bridging Digital, an Erasmus+ funded project involving cultural/educational organisations from Scotland (Fablevision), Greece (Hellenic Education Association), Poland (Instytut Kultury Miejskiej) and Sweden (Intercult).

The project, headed in Scotland by Liz Gardiner, Fablevision, is collaborating with Trent Kim, director, New Media Arts, University of the West of Scotland, to explore how artist-led learning can use digital techniques as a catalyst for helping communities adapt to and author change.

In the Dunure example, StudioFV, filmed the work of UWS students in re-purposing the romantic and somewhat desolate coastal ruin of Dunure castle as a canvas on which to project the village’s long and varied history.

Home to Scotland’s oldest lighthouse, with a once thriving fishing industry; a place of sea-inspired folkloric tales; the blood feuds of the Kennedy clan; connections with Mary Queen of Scots and Charles Rennie Mackintosh and Margaret Macdonald; the village is now looking at ways in which it can incorporate all this into a new and sustainable future centred on the tourist potential of the area.

The nub of the matter is re-imaging: what do you do when you no longer do what you did?

 

Govan-Gdansk Heritage Regeneration and Alternative Futures publication - Memory of Water EU image

Memory of Water EU - Artist-Led Regeneration Projects with Community Engagement

Cultural charity Fablevision and its social enterprise trading arm – Fablevision Studios – have worked with artists in Glasgow for over 30 years, examining and transforming accepted narratives.  The organisation engages with people facing barriers to employment, and works with community charities concerned with waterfront development and heritage protection.  During Memory of Water, Fablevision is hosting two local labs, an international lab, and two artist residencies.  The organisation further promotes activities and ideas through its design and implementing of communication strategies across the project, disseminating and interpreting information for all partners.

During 2012-16, Fablevision conducted an artist exchange programme with Gdansk, Poland, and in 2017, an artist residency programme, Riverside Solidarity, in Govan.  Fablevision is excited to continue working with members of River//Cities network.

Govan - Memory of Water EU image

Going Digital in Dunure

Back in November 2021, Fablevision commissioned StudioFV to make a video case study of the University of the West of Scotland’s (UWS) New Media Art course as part of its ErasmusPlus-funded research project, Bridging Digital, which explores how artists and communities can use digital technology.

A team of UWS students led by lecturer, Trent Kim, travelled to Dunure, South Ayrshire to work with Dunure Community Council to work on a project which uses video projection – onto the ruins of the former Kennedy clan stronghold – to tell the illustrious story of this former fishing community.  The specific aim of the community is to find novel and interesting ways that they might bring this history to life for tourists and visitors to the village and neighbourhood. 

Care’s Collective Quality

 

In April 2021 artist Alex Wilde and Ailie Rutherford met with six inspirational
women working in care roles and for social change in Govan as part of the Fablevision project, Wovan in Govan, which in turns was part of a wider collaboration involving cultural organisations in Sweden (Intercult) and Ukraine (TU Mariupol).

We talked with women about formal and informal care, paid and unpaid labour and personal reflections on how we care for each other, our communities and our society.  These women are passionate about the communities of people they support and are involved with; in hospitals, community gardens, social justice projects and housing campaigns.

Reflecting after a year of Covid “lockdown” where our usual methods of
collective caring have been taken away,  we wanted to know how
these women; activists and carers had adapted in the face of deepening
inequalities, social separation and collective anxiety.  At a time when “care” has never been more widely discussed, what existing networks of community care have endured and what new models of care are emerging?

We were interested in exploring the intersection of care and activism and understand how women were working towards social change.  We talked about how would we would like care to be valued and organised
differently, and what new ways of organising we need now for a better reciprocal system of care.  How do we care better for each other, ourselves and beyond our familial or romantic bubbles?  And thought about the new systems, networks and ideologies we need now to do this work.

The conversations we had with the women and each other, made us feel like we need to explode the idea of the family unit and abandon the idea of monogamous care in order to implement care for our wider world and communities.  We felt a great sense of urgency to change an uncaring system, which continuously expects women to fill in the gaps.  Drawing on our own experiences and listening to the experiences of women who live and work in Govan involved in collective care, caring far beyond their immediate bubbles, a set of ideologies and demands evolved for centering a post pandemic recovery on care. The resulting diagram (a visual manifesto) pull together some of the key themes and ideas we discussed with the women we interviewed, turning them into demands for change.  Our simple diagram could never convey the depth and richness of each conversation but we hope it goes some way to highlighting the incredible work and vibrant intellect of the women who so generously gave their time to these conversations.

This manifesto has been created in a short space of time, with physical distancing challenging our usual methods of a socially engaged practice. It is raw and imperfect but reflects the urgency of the need for change.

Art for Health’s Sake

 

A recent article in Glasgow’s Evening Times featured the work of Jackie Sands, Health Improvement Senior: Arts and Health for NHS Greater Glasgow and Clyde.  

The rationale for the use of art in such a context, as the article points out, has quite a long history.  However, there is one thing paying lip service to such ideas, there is quite another bringing the means, the artists, the patients and the public together in order for it to happen.  Well, that’s exactly what Sands has done. 

Working at the Queen Elizabeth University Hospital [QEUH], Sands’ therapeutic and arts-based interface has seen the installation of a piano, thanks to Piano City,  sculpture placement which involved, the Sculpture Placement Group, performance from the Royal Conservatoire of Scotland, Govan Songsters and DJ George Bowie, and art installations, such as those in which Fablevision was/is directly involved, namely, the Memory of Water and Woven Network.

Govan-Gdansk Heritage Regeneration and Alternative Futures publication - Memory of Water EU image

Past Perfect to Future Indicative

ablevision’s sister organisation, StudioFV was at the University of the West of Scotland recently to film and interview, Trent Kim, the director and lecturer of the unversity’s New Media Arts department who set his students the task of using art projections as a creative stimulus, the findings of which will inform the Erasmus+-funded Bridging Digital project.

The interview was a follow up to the recent art installation at Dunure Castle in Ayrshire, where images of Dunure’s past were projected onto its walls.

The Bridging Digital project explores new ways in which art-centred activities and inputs can be used as a medium for change.  The role of art in this context is threefold: it is an instrument, metaphoric and a harbinger.  The past, the “known known”, comes together with the “known unknown” to create an as yet “unknown unknown” –  the future.

If this is far too Rumsfeldian for this early in 2022, just remember that the past is not only another country, it also the only reference point, predicate and tutor we have for imaging our future.  Unlike Marx’s apian architects, we must first build the future in our imagination. 

Trent Kim3
Govan-Gdansk Heritage Regeneration and Alternative Futures publication - Memory of Water EU image

Bridging Digital in Dunure

Fablevision, accompanied by StudioFV, was in Dunure, Ayrshire, to shoot film and interviews for Bridging Digital, an Erasmus+ funded project involving cultural/educational organisations from Scotland (Fablevision), Greece (Hellenic Education Association), Poland (Instytut Kultury Miejskiej) and Sweden (Intercult).

The project, headed in Scotland by Liz Gardiner, Fablevision, is collaborating with Trent Kim, director, New Media Arts, University of the West of Scotland, to explore how artist-led learning can use digital techniques as a catalyst for helping communities adapt to and author change.

In the Dunure example, StudioFV, filmed the work of UWS students in re-purposing the romantic and somewhat desolate coastal ruin of Dunure castle as a canvas on which to project the village’s long and varied history.

Home to Scotland’s oldest lighthouse, with a once thriving fishing industry; a place of sea-inspired folkloric tales; the blood feuds of the Kennedy clan; connections with Mary Queen of Scots and Charles Rennie Mackintosh and Margaret Macdonald; the village is now looking at ways in which it can incorporate all this into a new and sustainable future centred on the tourist potential of the area.

The nub of the matter is re-imaging: what do you do when you no longer do what you did?

 

Govan-Gdansk Heritage Regeneration and Alternative Futures publication - Memory of Water EU image

Memory of Water EU - Artist-Led Regeneration Projects with Community Engagement

Cultural charity Fablevision and its social enterprise trading arm – Fablevision Studios – have worked with artists in Glasgow for over 30 years, examining and transforming accepted narratives.  The organisation engages with people facing barriers to employment, and works with community charities concerned with waterfront development and heritage protection.  During Memory of Water, Fablevision is hosting two local labs, an international lab, and two artist residencies.  The organisation further promotes activities and ideas through its design and implementing of communication strategies across the project, disseminating and interpreting information for all partners.

During 2012-16, Fablevision conducted an artist exchange programme with Gdansk, Poland, and in 2017, an artist residency programme, Riverside Solidarity, in Govan.  Fablevision is excited to continue working with members of River//Cities network.

Govan - Memory of Water EU image

Woven Network Govan Recruits an Icon

Govan-based artist tsBeall uses the Mary Barbour statue outside Govan underground station to project the importance of women as the principal carers during the present Covid19 crisis. In the history of Govan and Glasgow, Barbour rose from obscurity to prominence by a combination of an indomitable spirit, humanity and acumen, yet until relatively recently, she was a figure almost lost to history.

The Woven Network Govan, part of the Woven (Womens) Network, is an arts-based project which is determined to give voice, notice and credit to the role of women as the principal carers, professionally and domestically, during the present crisis.

Woven Network at the Wh•eat cafe and Govan Cross

The Fablevision-Wh•eat cafe event – featuring the works Ursula Kam-Ling Cheng, Deirdre Nelson, Audrey O’Brien, Ailie Rutherford, Donna Rutherford, Alex Wilde – attracted a lot of local attention.

Our sister organisation, Fablevision Studios, was also on hand to film and interview t s Beall (the lead artist on the Woven Network Govan) at her installation on the Mary Barbour statue at Govan Cross.

The aim of the artworks and events is to highlight the role played by female carers – paid and unpaid – during the Covid19 pandemic.

BBC Scotland River City star, Iain Robertson, was on hand to launch the new exhibition, which was covered by both the Evening Times and the Herald.

Currency of Care

Spoken Words written by Ruth Little has been used by Deirdre Nelson in Currency of Care, one of her artistic submissions for the Woven Network Govan project.  Deirdre Nelson is one of the 7 artists coming together for Fablevision’s Woven in Govan – part of the Woven Network European collaborative project, highlighting the experiences of women during the Covid-19 pandemic and the historical burden of care placed upon women in society as a whole. (Music Credit: “Almost Bliss” Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/)

Giving Voice to Carers

Donna Rutherford is one of seven artists coming together to take part in Fablevision’s Woven in Govan project – highlighting the experiences of women during the Covid-19 pandemic and the historical burden of care placed upon women in society as a whole.  Donna’s work is an audio piece, featuring interviews with women on their experiences over the last year in the Covid climate and the effect the pandemic has had on them and their lives. Here is a small taste of her full 15-minute long piece, currently being exhibited at the wh·eat cafe in Govan.